All Frederick Arthur Bridgman's oil paintings
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| ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
| 61959 |
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A Challenging Moment. |
Oil on canvas. 19 x 25 in. (48.25 x 63.5 cm). Private Collection. |
| 96060 |
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An evening gathering at a North-African encampment |
1923(1923)
Medium oil on canvas
Dimensions 93 x 130 cm (36.6 x 51.2 in)
cjr |
| 70534 |
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An Interesting Game |
Medium Oil on canvas
Dimensions Expression error: Missing operand for *94.4 ?? 146.6 cm
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| 25234 |
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Femme faisant boire des chevaux (mk32) |
huile sur toile signee et datee 1921 62 x 90 cm Galerie Berko Knokke-le-zoute et Paris |
| 25187 |
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Fete du Prophete au cimetiere de Blidah (mk32) |
huile sur toile signee et datee 1900 65 x 54 cm Coll part |
| 83490 |
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Funeral of a Mummy |
ca. 1877(1877)
Medium Oil on canvas
cyf |
| 79197 |
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In a Village El Biar Algeria |
Date 1889
cyf |
| 79951 |
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In a Village El Biar Algeria |
Date 1889
cyf |
| 61847 |
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Interior of a Biskra Cafe, Algiers. |
1884. Oil on canvas. 27 x 44 in. (68.5 x 111.7 cm ). Courtesy Vance Jordan Fine Art Inc.., NY. |
| 25209 |
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Interior of an Algerian House,Biskra (mk32) |
(Interieur d'une maison algerienne a Biskra) huile sur toile,signee et datee 1881 72.5 x 104 cm Anc Mathaf Gallery Londres |
| 79500 |
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Pharaoh's army engulfed by the Red Sea |
Pharaoh's army engulfed by the Red Sea, oil on canvas, by Frederick Arthur Bridgman
Date 1900(1900)
cjr
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| 79591 |
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Pharaoh's army engulfed by the Red Sea |
Pharaoh's army engulfed by the Red Sea, oil on canvas, by Frederick Arthur Bridgman
Date 1900(1900)
cjr |
| 82406 |
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Pharaohs army engulfed |
oil on canvas, by Frederick Arthur Bridgman
Date 1900(1900)
cyf |
| 61976 |
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Portrait of a Kabylie Woman, Algeria |
1875. Oil on canvas. 28.5 x 23 in. (72.4 x 58.4 cm). Courtesy Vance Jordan Fine Arts Inc., NY. |
| 73688 |
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Procession in Honor of Isis |
Title "Procession in Honor of Isis", a depiction of the Navigium Isidis festival.
1902(1902)
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| 74384 |
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Procession in Honor of Isis |
English: Title "Procession in Honor of Isis", a depiction of the Navigium Isidis festival.
Date 1902
cyf |
| 74823 |
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River Landscape with Deer |
Oil on canvas
59.69 x 80.65 cm
cjr |
| 76282 |
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River Landscape with Deer |
Medium Oil on canvas
Dimensions 59.69 x 80.65 cm
cyf |
| 61974 |
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The Day of the Prophet at Oued el Kebir |
Oil on canvas. 59,4 x 78.5 in. (150 x 200 cm). © Christie's Images, Ltd. |
| 61979 |
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The Rendez vous. |
Oil on canvas. 14.75 x 18.75 in. (37.4 x 47.6 cm). Private collection. |
| 61996 |
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The Siesta |
Oil on canvas. 11.25 x 17 in. (28.5 x 43 cm). Courtesy Spanierman Gallery, NY. |
| 72794 |
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The Siesta |
19th or early 20th century
Oil on canvas
28.5 x 43 cm
cjr |
| 61971 |
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Women in Biskra Weaving a Burnoose |
1880. oil on canvas laid on masonite. 41 x 52 in. (104.1 x 132 cm). Courtesy Vance Jordan Fine Art Inc., NY. |
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| Frederick Arthur Bridgman
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| American Painter, 1847-1928
was an American artist, born in Tuskegee, Alabama. An American Southerner, born in Tuskeegee, Alabama, the son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerôme. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). In 1867, Bridgman entered the studio of the noted academic painter Jean-Leon Gerôme (1824-1904), where he was deeply influenced by Gerôme's precise draftsmanship, smooth finishes, and concern for Middle-Eastern themes. (Bridgman would even become known as "the American Gerôme.") No mere imitator, however, Bridgman would later adopt a more naturalistic aesthetic, emphasizing bright colors and painterly brushwork. Bridgman made his first trip to North Africa between 1872 and 1874, dividing his time between Algeria and Egypt. There he executed approximately three hundred sketches, which became the source material for several later oil paintings. Additional visits to the region throughout the 1870s and 1880s allowed him to amass a collection of costumes, architectural pieces, and objets d'art, which often appear in his paintings. (Amusingly, John Singer Sargent noted that Bridgman's overstuffed studio, along with the Eiffel Tower, were Paris's must-see attractions.) Though Bridgman maintained a lifelong connection to France, his popularity in America never waned. Indeed, in 1890, the artist had a one-man show of over 400 pictures in New York's 5th Avenue galleries. When the show moved to Chicago's Art Institute, it contained only 300 works - testimony to the high number of sales Bridgman had made.
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